Berryxia.AI

尼玛，真的果然𝕏 上是贩卖焦虑和调动情绪符合第一性原理。 17W 大V @JulianGoldieSEO 老哥的DeepSeek V4 1:50分钟的课程2小时过去仅仅有854次曝光，1人点赞。 所以，认真做内容的人不必焦虑~~

这一期Next Token 很有意思啊，海内外大模型的进展，各种Bot的吐槽和小Tips分享。 PS：还有藏师傅的最后留给大家的彩蛋😁 好听爱听～ @vista8 @op7418 @oran_ge @ericyangpan

你会发现，所有第一次来中国的欧美科技博主、AI大佬，对中国的印象都是觉得很惊讶。 从他们了解到的出行、购物方式以及外卖等等，都觉得这些很颠覆他们的认知。 DHH大佬觉得第一次来中国看到深圳打的士，20块钱只要6美元，内饰很豪华，觉得比奔驰S级还高级，他感觉到应该挺神奇的。

这个DeepSeek V4.1 Flash 真的太强了，这水平和Kimi K3 的水平几乎相当了啊！关键价格便宜，速度快啊！ PS：比Gemini 4 Argon 好不少……

哥两好啊！ 哥两好！ 这奥特曼前阵子不还和老马打官司，这后脚咋都开始舔上老马了啊😁

DeepSeek V4.1 的效果也不错啊… 梁圣归来～

大周末这些国内大模型厂商都不休息啊！ DeepSeek 上线了 DeepSeek-V4.1-Flash-1017，这是 V4.1 Flash 的最新快照，官网、App 与 API 已同步切换，调用时把模型名设成 deepseek-flash 即可。 相比上一版，新模型基准成绩更强、任务完成更快、输出更短，官方称实现了性能与成本的帕累托改进，并随发布同步下调了 API 价格。 它延续 1M 上下文、384K 最大输出，原生支持多模态视觉理解，是全新架构家族里最小的成员。 具体能力上： 一是针对 DeepSeek Harness、腾讯 CodeBuddy、WorkBuddy 等框架做了专项优化，Harness 需升级到 0.2.1-rc.1 及以上。 二是用基于自反馈的强化学习（RL）提升了从零搭建完整项目的能力，官方演示包括故宫 3D 建模、网页版赛车游戏、用 Godot 复刻《传送门 2》，以及 3D 动态呈现的 Valley of Ages。 三是把自研搜索能力开放成 API，新增 Search 与 Fetch 两个接口，均 5 元/千次。 技术细节：模型权重已在 HuggingFace（deepseek-ai/DeepSeek-V4.1-Flash-1017）和 ModelScope 开源。 在 Harness / Claude Code / Codex 中经服务端工具调用访问的 Search / Fetch 暂不计费，将于北京时间 2026 年 11 月 1 日 00:00 起按次收费。 过去想在 Agent 里接搜索得自己拼第三方，现在模型、搜索、抓取一条链路直接跑通，对脚本党、Agent 开发者和 CI/CD 场景最友好。

晓辉老师，说个很多人不知道的冷知识👇🏻， Grok Bot 不需要科学上网就可以直接使用。🤪

致那些仰望天空的人。 1886 年，奔驰把发动机装上了马车。 1888 年，Bertha Benz 一口气开了 106 公里，证明它真的能跑。 1903 年，莱特兄弟在空中停留了 12 秒。 1913 年，福特的流水线从不停歇，连夜里都在转。 1969 年，阿波罗踏上了月球。 他们每一个人，一开始都被叫做疯子。 2026 年，Elon Musk 揭开了 Roadster 2 的面纱。 这一次，前方的路再无边界。 他们说过，“汽车不会飞。” 今天，它飞了。 路，从来都不是极限。 想得更高一点。 致每一个敢于做梦的疯子。 🎬 一部用 Renoise AI + Claude 制作的致敬短片。 @elonmusk @Tesla x.com/berryxia/status/2111096263433449475/video/1

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致那些仰望天空的人。 1886，奔驰把发动机装上马车。 1888，贝尔塔·奔驰一口气开了 106 公里，证明它真能跑。 1903，莱特兄弟离地 12 秒。 1913，福特的流水线彻夜不停。 1969，阿波罗踏上月球。 他们每一个，最开始都被叫作疯子。 2026，Elon Musk 掀开 Roadster 2 的车罩。 这一次，路放手了。 他们说，车不会飞。 今天，它飞了。 路，从来不是极限。 Think higher. 致每一个敢想的疯子。 🎬 用 Renoise AI + Claude 做的致敬短片。@elonmusk

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小黄鱼代抢已经500元一台。 目前的黄牛说的是至少加价在3k起步😁

我去，这个视频开头有点纪录片的感觉啊n 这一切的发展，包括老马的构想都是异曲同工之妙啊！ Boost Car Roadster 2 真的估计也是很多男人都梦，也是火星版图的一笔啊！

记得一定看完~

真尼玛，牛逼！ Renoise MCP 和Claude 就是手残党福音~ 我这种没有任何编导和视频的经验的小白，居然一把出这样的片子，我很喜欢这个片子。 很温情，却又传递了我的主题，一句话丢个Claude安装: renoise.ai/api/public/mcp

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Elon , 老实说，我觉得这是你的Roadster 灵感来源？ 老实交代吧？？@elonmusk

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Kimi Work 这种讲解视频我觉得很不错，很适合用户哭学习查看～ 把新功能以及使用的方法逐步告诉用户，以免有些用户无法使用而流失… 你们在视频中看到了什么熟悉的味道？ 😁

昨天看到这个Gemini 4 Argon vs Opus 5.5 的镜头对比，今天就看到higgsfield 也发了。 好多人问提示词，我把完整提示词发给你们👇🏻： ① Gemini 4 STYLE Traditional Chinese ink-wash animation fused with classical picture-book illustration and Eastern folk fantasy. Everything appears painted on visibly textured xuan rice paper: real brush strokes, soft ink bleeds, dry-brush "flying white" streaks, generous empty negative space. Mountains, bamboo, river and mist rendered in layered Song-dynasty landscape ink tones. Palette dominated by ink grey and rice-paper white; the ONLY strong colors are the girl's vermilion robe and the sword's fine gold details. No realistic motion blur — all high-speed motion is expressed as ink trails dragged by a fast brush, dry-brush streaks and splattered ink dots. Hand-painted, 2D, painterly, no 3D render look. CHARACTER LOCK Young girl, around 16, slender and agile. Vermilion-red traditional hanfu-style robe with wide flowing sleeves, cinched waist sash. One long single braid tied with a red ribbon. Delicate ink-line face, sharp bright eyes. Consistent design across all shots. PROP LOCK Slim straight jian sword, silver-grey blade with gold guard, gold hilt ornaments and faint gold glow along the edge. A folded paper letter tied to the hilt with red string — stays attached the entire video. EXPRESSION TRACK 0–2s startled wide eyes → 2–6s gritted teeth, squinting against wind → 6–9s fierce focus, narrowed eyes → 9–11s strained determination while climbing → 11–13s breathless awe, lips parted, eyes widening → 13–15s calm confident smile, eyes locked on target. SHOT SEQUENCE [0–2s] Medium shot, rooftop of an old mountain house, grey tiled eaves. The girl finishes tying the letter to the hovering sword — it suddenly jolts and shoots off the eave with a "whoosh." She lunges and grabs the hilt; she is yanked off the roof, feet scraping across tiles, scattering ink-dot debris, then lifted into empty air. [2–4s] Low tracking shot skimming a winding river. The sword speeds forward just above the water, the girl dragged behind, sleeves and braid whipping like vermilion brush strokes. The blade tip slices the surface, drawing a long ink line and bursts of white paper-toned spray. [4–6s] Fast follow shot plunging into a dense bamboo forest. Rapid left-right swerves between tightly packed ink bamboo stalks; the girl tucks and ducks, a few bamboo leaves brush past her cheek. Dry-brush streak trails behind them. [6–8s] A cliff face rushes toward camera; the sword dives into a narrow cave without slowing. Screen goes nearly black — only the gold glint of the blade and flashes of red robe streak through darkness. Immediately bursts out of the cave mouth, grazing a massive ink-wash waterfall; sword energy splits the falling water, droplets explode into scattering ink dots. [8–11s] The sword snaps 90 degrees upward, racing vertically along a towering cliff wall. The girl is nearly flung off, flips mid-air, clamps onto the blade, and claws her way up against violent wind until she plants both feet and stands firmly on the sword. Camera looks down the sheer drop beneath her. [11–13s] The sword pierces a thick sea of clouds. Sudden silence. A vast pale rice-paper sky opens; layered ink mountains float above the cloud sea. The girl looks up as mist slowly parts — revealing an enormous ancient Eastern city floating atop the peaks, golden lanterns lighting up one by one along walls and roof eaves. [13–15s] Close-up: she crouches low, gripping the letter still tied to the sword. The sword accelerates again. Wide shot: girl and sword become a single stroke of vermilion and gold, streaking straight toward the city's colossal gate. End mid-motion at full speed — no stop, no resolution. AUDIO 0–11s: sharp sword whoosh, roaring wind, rushing water hiss, bamboo swishes, echoing cave boom, crashing waterfall, driving guzheng and taiko percussion. 11s: abrupt cut to near-silence, soft wind and a single sustained xiao flute note. 13–15s: rising orchestral swell with guzheng glissando, sword whoosh returns and builds, cut on the peak. NEGATIVE realistic motion blur, 3D CGI look, photorealism, saturated colors beyond red and gold, modern elements, text, watermark, character design drift, letter disappearing. ----------------------------------- ② Opus 5.5 Traditional Chinese ink animation blended with a classical illustrated storybook and Eastern folk fantasy. The entire world appears painted on visibly textured xuan paper. Preserve expressive brushstrokes, layered ink washes, wet-ink bleeding, dry-brush gaps, scattered ink droplets, and generous areas of untouched paper. Mountains, bamboo, rivers, waterfalls, and clouds have the depth and restrained elegance of a Song-dynasty landscape painting. The dominant colors are ink gray and warm paper white. The girl’s vermilion robe and the sword’s fine gold details are the clearest color accents. During fast movement, use sweeping brush marks, dry-brush streaks, and ink splashes as motion trails. Avoid photographic motion blur, glossy 3D rendering, and realistic live-action textures. **Fixed subjects** One young female messenger wears a distinctive vermilion robe with wide sleeves. She has one long dark braid and a small dark sash at her waist. Her face, clothing, braid, and proportions remain consistent. Her movements progress from startled improvisation to determined control. One long, straight flying sword has an ink-dark hilt, a narrow silver-gray blade, and delicate gold engraving near the guard and along the central ridge. It remains a sword throughout, with no wings or mechanical parts. A single folded cream-colored letter is securely tied just behind the sword’s guard with a short red cord. The same letter stays attached and visible during the entire journey. It never becomes a scroll, duplicates, or falls away. **0.0–2.2 seconds — A departure that goes wrong** Start directly on the sloped roof of a mountain house. The girl has just finished fastening the letter to the hovering sword. Before she can step back, the sword jerks forward and shoots beneath the eaves. She reacts instantly and catches the hilt with one hand. Her shoes scrape across two roof tiles; her other hand grabs the hilt as the sword drags her off the roof. Her feet clear the edge and swing into open air. Vermilion sleeves and her long braid snap backward like two vigorous red brushstrokes. Keep the camera close and moving with her. There is no introductory landscape shot or pause before the flight. **2.2–4.4 seconds — River and bamboo** The sword races low above a winding ink-painted river, with the girl stretched behind it and holding on with both hands. Its tip skims the water, drawing a long, dark ink line across the pale surface. White splashes rise along the line and break into small brush flecks. The sword banks sharply into a dense bamboo grove. The camera follows at her height as green-gray bamboo trunks pass in quick alternating layers. The sword makes two clear left-right turns. She pulls her knees close to her body to avoid the stalks; several leaves graze past her cheek and sleeve without striking her. Foreground bamboo briefly wipes across the frame to carry the camera into the next space. **4.4–6.6 seconds — Mountain tunnel and waterfall** A mountain wall rapidly fills the frame. Without slowing, the sword enters a narrow cave opening. The image becomes nearly black ink for a moment, broken only by a restrained gold glint along the sword and the girl’s red robe flashing between rock edges. Follow them continuously through the short tunnel. Daylight appears ahead, and they burst out beside an immense waterfall. The sword passes close enough for its wake to split the painted waterfall into two flowing sheets. White droplets scatter across the paper, then turn into suspended ink dots as the girl and sword race past. The spray crosses the lens for a brief natural transition. **6.6–10.0 seconds — The vertical climb** Immediately beyond the waterfall, the sword pitches upward approximately ninety degrees and climbs the sheer mountain face. Make the change in direction abrupt and forceful, but show the sword’s continuous trajectory. The girl’s body swings downward. She nearly loses her grip, then tightens both hands around the hilt. The camera tracks upward parallel to the cliff as rock ledges and ink-wash pines rush downward behind her. She pulls her chest toward the blade’s base, shifts one knee over it, and carefully moves her weight above the sword while it continues climbing. In one continuous effort she rises into a low standing stance with both feet securely placed on the broad rear section of the flying blade. She steadies herself with bent knees, one hand close to the guard. Her braid and sleeves continue streaming in the wind. The sword pierces a thick bank of cloud. Its gold-edged tip opens a narrow passage through layered white paper and pale-gray ink. **10.0–12.6 seconds — The city above the clouds** As they emerge, the loud rushing wind drops to a soft hush. The sword still moves forward, but its motion briefly becomes smooth enough for the discovery to register. A wide, pale sky opens like an untouched sheet of xuan paper. Layered ink mountains rise through a vast sea of clouds. The girl lifts her head. The clouds ahead part gradually to reveal an immense ancient Eastern city suspended among the peaks. Successive ink-painted walls, towers, curved rooflines, bridges, and monumental gates establish its extraordinary scale. Small gold lights ignite in sequence along the walls and eaves, drawing a clear route toward the main gate. Use a wide moving shot that keeps the girl and sword relatively small against the city. Preserve the landscape’s open space and painted-paper texture. **12.6–15.0 seconds — Delivery continues** The girl checks that the cream-colored letter remains tied behind the guard, then lowers into a stable forward stance and grips the sword firmly. Her expression turns focused. The sword accelerates again. Follow from slightly behind and to the side as girl and sword become a long, energetic vermilion-and-gold brushstroke crossing the pale clouds toward the city’s enormous gate. The gates grow rapidly larger; gold lights and ink-wash towers sweep past at different depths. End while they are still flying at full speed toward the entrance. Do not show arrival, delivery, a stop, a pose, or a fade to black. **Camera and sound** Give the sequence the continuity of one fast flight, using bamboo trunks, cave darkness, waterfall spray, and clouds as motivated visual transitions. Camera movement should remain fluid and spatially clear: close pursuit over the river, agile tracking through bamboo, a vertical climb beside the cliff, then a moving wide reveal above the clouds. Keep the girl, sword, and letter readable even when the painted environment moves quickly. Synchronize sound with action: a sharp sword whoosh at takeoff, scraping roof tiles, low river rush, bamboo leaves whipping past, a brief cave echo, a broad waterfall roar, forceful wind during the vertical climb, and a sudden quiet above the clouds. Use restrained guqin, bamboo flute, light percussion, and warm sustained strings; allow the city reveal to breathe before the final acceleration. No dialogue or narration. Maintain the same girl, one sword, and one attached letter in every shot. The girl must always hold or stand on the sword with visible physical contact. No extra weapons, additional passengers, duplicated limbs, vanishing braid, changing robe, detached letter, modern buildings, glowing energy beams, subtitles, logos, or watermarks.

赛博菩萨乔帮主把Obsidian 的插件结合学习玩的炉火纯青就算了，还特么做好插件分享给大家用。 并且这玩意还嘎嘎好用，每天看着帮主在各大群里解答和处理用户反馈的问题。 不废话直接安装干吧～ 也就是赶上好时代了… 地址👇

这几天每个人都被Sac @Saccc_c 的这个小王子刷屏～ 我昨晚用Claude & Renoise MCP直接一键出片，大概的步骤就是： 1️⃣丢了小王子的游戏体验地址和这条推文 2️⃣告诉它我需要的是一个这个游戏的介绍和宣传时间1:30 ，温情叙事，含旁白。 3️⃣ 在整个过程会展示帮你写好脚本确认，以及配图、视频花费积分、提示词都展示确认后干活～ 成片还可以，感兴趣的可以看看～

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这个视频就是我使用的Renoise +Claude 搞定的～ 等我抓紧给大家搞个教程～ 最近自媒体国内这个像素风起号非常nice！

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